An interview from 2014 with Jack Loeffler (Santa Fe, NM) talking about Hopi connections to Landscapes, Culture & Sustainability. Originally appeared in Green Fire Times, 2014 (Santa Fe, NM).
JL: How do you perceive culture relative to homeland?
LB: Culture relative to homeland is a big idea. Homeland is something that is always in the back of my mind. I’ve been fortunate to be doing a lot of archaeological survey work beyond the political boundaries of the reservation in areas Hopi consider to be their true homeland. People have asked me to draw maps of what is a homeland for Hopi, and I find it difficult to connect the dots and say this is the boundary. I’m always more inclined to use a dashed line or some symbol that indicates that it’s ephemeral, in a sense. When I’m out doing my archaeological survey, I see the artifacts, the assemblages that our ancestors used, and in a way that signifies our homeland. As a Hopi person out there in the landscape you really get a true understanding that our homeland extends across the Four Corners region.
As a culture, you really have to be cognizant of what our ancestors were doing. My father and I have been out during the hunting seasons. When I come across an archaeological site, as an archaeologist what interests me is scouring the ground and seeing what kind of artifacts are there. I look at the pottery, I find arrowheads, projectile points. You find room habitations. I go back to camp at the end of a day of work or a day of hunting and I talk with people. My father will look at the artifacts I show him and he’ll say, “Just think. They survived out here with far less than we have now.” And in that sense, they knew more than we do. Could we transport ourselves back 800 years and survive as they did with what we would term primitive tools? At the time, that was the cutting edge of technology.
There’s a deep spiritualness in just sitting in the woods, sitting on a hill, watching the sun rise, watching the sun set, watching it go across the sky. Unfortunately, we’re not exposed to that on a daily basis. I go to work, I go to the office; I’m in an enclosed space. But I’m really fortunate that, in some of my other work, I’m able to be a daily part of what nature really is and get a true sense of experiences of Hopi ancestors that have led us to be where we are today in the world. It’s a real deep thought process. It’s one of those things I’m always rehashing in my mind.
I recently came back from working on a survey project over in the Walapai country west of here a couple of hundred miles. During this project, we came across artifacts that showed they were living in a different lifestyle compared to what we find here around Flagstaff or northern Arizona in the Four Corners region. They’re still Hopi ancestors—that’s how we perceive them. But how did they come to that type of technology? How was it that they viewed their own world perspective that directed them to become who they are?
So it’s a broad landscape in terms of that concept of culture as homeland and how we relate to the environment, what we take from it, these experiences and how we use them in our modern-day lives to kind of direct how we live now.
You talk about the commons, about borders, but those borders are arbitrary in some sense. We’re all a part of these landscapes, whether we’re Hopi or Anglo or Walapai, Navajo, Zuni or whatever our ethnic background is. We all have impacts in some ways on these landscapes. Through my archaeological work you see that. There’s a lot of research about how prehistoric peoples changed their landscape and what can we learn from some of their mistakes.
Chaco Canyon has been used as a prime example of landscape change initiated by human interaction on a wide scale, and how the impacts prehistoric populations were having on the landscape led to their demise, so to speak. What can we learn from that? That’s one of the things Hopi stresses a lot in our teachings, that there are a lot of good things that came from our ancestral history: positive values and philosophical ways of thinking. But there are also some negative lessons we have to own up to and take responsibility for that will teach us.
How are we as modern Hopis and as a society going to interact with our environment? For me, that’s where culture as homeland comes in. I get to see this huge landscape across the Southwest. I get to see how prehistoric peoples were living in landscapes separated by two, three, four hundred miles. They all had to understand that they had to live within their means. In some instances, they didn’t live within their means, and that caused turmoil and chaos and caused things to go wrong for themselves and their society. You tie all of that together, you bring all of these different examples within the Southwest of prehistoric cultures experiencing good and bad changes, and I think that’s what Hopi is trying to remember. So there’s a lot tied into that idea of culture as homeland. That is the common foundation that we all have to live by, I think.
JL: I’ve got a question apropos of that. You have a deep, deep sense of your home culture, Hopi culture. You also have a pretty profound sense of—how to call it—monoculture, which is fast turning into global culture. Can you characterize what you see as the differences between the two points of view? There are probably more than two points of view.
LB: Well, I guess in some ways Hopi culture is what I’ve been taught, and it has kind of instructed me as to how I should live. It’s about that concept of sustainability, knowing what your limitations are as an individual and as a society, as a group of people living in a specific area. You look at Hopi culture; we’ve come to understand that we live in a desert environment. That understanding means that we have to live a certain type of lifestyle that doesn’t push the limitations of the environment. You look at our farming lifestyle, what we’ve been able to achieve with our agricultural products, most importantly corn. The corn is a direct product of us living in this desert environment. It’s well known that Hopi have strains of corn that are drought-resistant, grow well in desert environments and are suited to the types of soil we have.
Then, with that come all of those philosophical ideas of understanding. We all hear that term now—“water is life.” That’s part of the basic foundation of Hopi cultural perspective; it’s one of them, there are multiple. I think that the landscape dictates how we structure our world view and come to terms with where we choose to live. Take Phoenix, for example. You drive down the valley and get past Black Canyon City, and immediately, within five, 10 miles, you start to hit all of the outgrowth, the subdivisions that are popping up. How are they going to be able to sustain those communities, not only with water, but just in terms of basic resources?
I don’t know if people really understand the limitations they’re pushing in certain environments. I think there’s a contrast there in terms of how Hopi have viewed understanding our limitations versus a monoculture or dominant culture relying on technology to see them through. As we all know, technology will only get you so far, and it comes down to human ingenuity and perseverance to see you through some of the harder times.
That sense of having a spiritual basis ties into that as well. You really have to have faith, not so much in the technology, but in your own understanding. As Hopi, we understand where we live. We live in a desert. That sets our boundaries. Does the rest of society also have that boundary, or are they just kind of living in a bubble that they keep blowing bigger and bigger and hope that it’s not going to burst? I think that’s one of the basic differences I see between Hopi versus the outside dominant culture. I think maybe there are always a few people who realize the imminent danger of what’s going on, but they are few and far between; their voices aren’t heard, and progress is always put ahead of sustainability.
I see that at home as well. Even as Hopi we have to be cognizant of our own progress in terms of development. We have limited resources. Unless some worldwide catastrophe happens, we’ll never go back to those days of the ancestral sites I visit. We’ll never be living in those types of conditions, unless we bring it upon ourselves. So we’re in an almost cyclical way of thinking. Are we just holding onto certain things, the good parts, and forgetting some of the negative changes that were brought upon us by our own actions? We have to learn to apply these broad philosophical ideas of how to live to our modern way of living.
I think that a lot of people for a number of years have looked to Hopi as a model of how to live sustainably. If we can do it in such a limited environment with limited resources on a small scale, maybe those types of examples can be applied to the larger global society. And it’s not just Hopi but all of those indigenous cultures around the world that have learned the hard way. We didn’t have the technology we have now. Whatever the Earth provided is what we lived off of. We weren’t able to coax more from it. So I think as a Hopi, and listening to other Hopis talk about how we’re supposed to live against how the modern society lives, that’s one contrast I can see in terms of using one as an example to help the other.
Lyle Balenquah has a Master’s degree in Archaeology from Northern Arizona University (NAU) and rows his raft down the San Juan, Green, and Colorado rivers. Bioregional documentarian Jack Loeffler and his daughter Celestia Loeffler’s recent book is Thinking Like a Watershed.www.loreoftheland.org
Dawn breaks over a secluded canyon, spreading a sliver of orange light along the rim as a lone canyon wren welcomes the morning, singing another day into existence. As the light increases in intensity, it illuminates a sheer cliff face, revealing layers of geologic time; ancient cross-bedded sand dunes and million-year old ocean floors that contain the fossilized remains of creatures whose descendants now inhabit salty seas hundreds of miles away. The colors of the stone facade warm into a kaleidoscope; red, orange, pink, yellow, tan, brown, purple, each one blending into the other as if a giant brush of watercolors was swept across the surface. At the final moment of reveal, the sunlight works its way to the canyon bottom where at the last precipice of stone, an alcove appears. At first as an arch of darkness, then as its interior starts to glow with reflected light, the details of the alcove come into view.
Inside, a cluster of structures stands, some 2-stories tall, tiny T-Shaped doorways peer out into the world. Built of stone, mortar and adobe, the protruding roof beams begin to cast long shadows against the coursed masonry. The human occupants of this small village, the Hisat’sinom (“People of Long Ago”) are already beginning their day. Men collect their tools and set off to tend to fields spread out in the canyon bottoms or to embark on hunting trips on the mesa tops above. Women gather together, teaching their daughters the fine art of creating intricate baskets and ceramics decorated with the metaphors of their existence; clan lineages, epic migrations and silent prayers for moisture and long life. Here and there, children, turkeys and dogs fill the spaces with their cries, laughter and energy.
This canyon and beyond is their world. A brief moment of time in which they create an understanding that is embedded in the existence of experiences. Seasons pass and the revolutions of the sun, moon and stars signal times of growth, harvest, ceremony and celebration. Old ones are laid to rest with reverence, while young ones are welcomed in to fill the voids. All the while, the people continue on in their journeys, building upon knowledge of previous ancestors, each generation adding their own energies to a collective knowledge as they face an uncertain future.
All across the area known today as the Bears Ears, this scene plays out in canyons, mesa tops, and river bottoms in thousands of similar ancient villages. For millennia, the ancestors of modern Hopi people lived in this region, refining the practical know-how and spiritual energy that allowed them to not only exist, but thrive in a seemingly harsh environment. This knowledge and experience would be passed from generation to generation, ultimately culminating and expressed in the contemporary culture of Hopi people, reflecting a connection that spans thousands of years across hundreds of miles.
Eventually the revolutions of the earth out distance the early inhabitants, all that is left of their passing are their ancient homes, tools, textiles, ceramics, jewelry and images carved and painted upon the cliff walls. In some cases, the physical remains of revered family are interred within and around the structures, left as spiritual guardians of a holy space. These are the tangible remains of their existence, ones that we can see and in some cases, touch and feel with our own hands; while some are experienced in the relative comfort of museums, archives and research centers across the country.
Others, if we are lucky enough, are encountered in our own wanderings across the same landscapes the Ancient Ones once called home. Under the same sun, moon and stars they once gazed upon, we can hold in our hands the results of thousands of years of living within a natural world. For many of us, Indigenous and otherwise, this is still the case and we are afforded the opportunity to glimpse into their being.
Yet there is another aspect of this landscape that cannot be readily seen or touched by our human hands. This is the Spirit Of Place. It is expressed as the solitude of the evening sunset as the winds sigh a relaxed breath, the sudden rush of excitement watching a falcon pursue its prey across the grasslands, the overwhelming expression of humility as we gaze upon stars, planets and other celestial bodies in the dark night sky. All of these experiences are afforded us due to the landscapes of the Bears Ears remaning in a relative pristine condition. The open space of the canyons, mesas, deserts, forests, springs, streams and rivers remain connected to one another and to those wild things of earth, water and sky that call this place home. These landscapes are not broken up into islands of refuge, as is the case with so many areas due to the encroachment of human development upon the natural space.
This is the spirit the Ancient Ones also witnessed. Compelling them to record their expressions of those experiences upon the cliff faces, conveyed through the beauty of their arts and remembered in story, song and prayer. This is the legacy that modern Hopi descendants still carry with them. The connection to this ancestral spirit still resonates in the contemporary culture of Hopi people. It is a connection that transcends both time and space, so that as a Hopi person enacts their own ceremony, both public and private, they are recalling the hardships and accomplishments of their ancestors.
The history of Hopi people is recorded upon the landscapes of their ancestors. Thus the maintaining of Hopi culture is more than merely an act of writing down these events and places, it must encompass the actual preservation of those places where the ancestors dwell.
An important aspect of Cultural Preservation, from the Hopi perspective, requires that one be able to experience the natural settings of their ancestors; to be able to journey back to those places and see first-hand how their ancestors lived. To walk among the centuries-old homes where generations lived, to hold in their hands the pieces of art created by hands of distant relatives, to sit upon towering buttes and recognize landscapes that are recalled from prayer. For modern Hopi people, our oral histories contain the memories and essence of Hopi ancestors and these histories remain viable aspects of Hopi culture.
Being able to actually experience our ancestral landscapes aids in the understanding of what a “Cultural Landscape” really is. In an age when Indigenous oral histories are continually challenged as viable source information, at least for some in academia, the need to preserve our histories becomes paramount. This includes not just the oral histories, but the actual, for-real-life sites where our ancestors lived. Granting future generations of Hopi to follow their ancestor’s footprints across the landscape.
Ferguson and Kuwanwisiwma write (2004),
Ancestral villages that have fallen into ruin are not dead places whose only meaning comes from scientific values. The Hopi ancestors who lived in these villages still spiritually occupy these places, and these ancestors play an integral role in the contemporary Hopi ceremonies that bring rain, fertility, and other blessings for the Hopi people and their neighbors throughout the world. ‘Itaakuku’ –footprints –are thus a part of the living legacy of the ancestors, and they play a vital role in the religious activities essential to the perpetuation of Hopi society.
In essence, by acknowledging our ancestors existence, they acknowledge ours through the answering of our prayers. This understanding provides a continual connection between modern Hopi people and their ancestors. This connection is contained within the landscapes, wherein Hopi ancestors interacted with their natural environments, leaving a legacy behind that their descendants must now strive to continue.
The Bears Ears movement is about more than just preservation for preservation sake; more than drawing a line on a map to protect a fragile ecosystem from the development of the fossil-fuel industry. It’s about more than protection of archaeological sites from wanton vandalism or preservation of these sites for solely scientific purposes. It’s about the protection of Indigenous cultures so that we retain our ability to pass on our traditional knowledge to future generations. Protection of this landscape grants us the opportunity to share with the outside world that we are more than historical footnotes, to show that our connections to ancestral lands traverse distance and time. Only through these continued efforts will future generations of Hopi people have their own cultural ground to stand upon; providing them the opportunity to interact with their ancestral past as we have done since time immemorial.
At the heart of this unified tribal effort is a call for Respect. Respect for a landscape that holds the spirit and essence of Indigenous history and culture. One can imagine that it is 100 years from the present day, at a canyon not unlike the one described in the opening lines of this writing. At the rim of the canyon, a few moments before the sunlight graces the sandstone cliffs from the eastern horizon, here stands a small group of unified tribal members. They have gathered to witness the same scene experienced by those early families. They have gathered to pay their respects, as a lone canyon wren sings the day into existence, to offer reverence and say to their ancestors, We Are Still Here.
In the Hopi language, Nayavu’waltsa is a place name, meaning “Clay Gap Place” and refers to the region known as Black Mesa, located in Northern Arizona. This mesa of the high desert is a geologic uplift of the much larger Colorado Plateau which covers a large area of the 4 Corners region; Southeastern Utah, Western Colorado, Northwestern New Mexico and Arizona. The Northern edge of Nayavu’waltsa ends abruptly, looming several hundred feet above the valley below and from a distance rises like a dark shadow; a vanguard of time, space and culture.
If you were to stand on one of its many vistas and look North, you would catch far-off views of Monument Valley to the Northwest, the snow-capped peaks of the San Juan Mountains in Southwestern Colorado and to the East, the landscape fades into the Chacoan homestead of Northern New Mexico. Surrounded by pine and fir tree forests, if you turned to the opposite point of the compass, the land gradually slopes away to the Southern escarpments of Black Mesa, some 60 miles as the crow flies. The vegetation transitions to juniper, pinyon pine and sage brush flats where eventually you find the Hopi villages, perched atop mesas where we have lived for over 1,000 years. Here, Nayavu’waltsa ends and gives way to the Little Colorado River valley, with the outline of Nuvatak’yaovi, the San Francisco Peaks, on the horizon, rising to 12,000 feet in elevation.
It is in this landscape that finds 6 archaeologists, 3 Hopi tribal members and 3 contractors, who for 8 days have been conducting archaeological survey up on Black Mesa. We have endured the still stormy spring weather that is common in Northern Arizona. Facing rain, snow, hail and lightning, turning the ground into a slip-sliding mess of clay, true to its Hopi name. This first session was our introduction to a landscape that many of us as archaeologists have heard, read about and studied in our academic training. It is a fabled land in archaeological history. An origin and stronghold of a prehistoric culture first known by the foreign name of “Anasazi” (a word of navajo language) and now re-labeled as “Ancestral Puebloan” (a term that still lacks the true reflection of who these people were, and who they later became).
This is ancient land of Hopi ancestors, the Hisat’sinom, “The People of Long Ago”, inhabited since Time Immemorial we would say. The science of archaeology states that human use and occupation of the area extends back 10,000 years. Back to a time when Hopi ancestors were pursuing mega-fauna such as mastodon, bison and other large game, hurling spear points as long as my hand at these great beasts. Although the traces of those times are difficult to discern in the archaeological record, the spirit of that history continues to be felt as one gazes out on the distant horizons. I wonder if those very early people would recognize this land as it appears now? In between the mega-hunters and today, many other Hopi ancestors have passed through and lived upon this landscape, leaving behind the traces of their existence.
One of the more unique aspects of the Hopi ancestors who lived here, are the ceramics they created, beginning as early as 500 A.D., over 1,000 years ago. Pottery types such as Tusayan Corrugated, Tusayan Whitewares, Polychromes and many others can be traced to this region and nearby areas as a “birthplace”. Here the early potters refined these various styles which would become synonymous with Black Mesa and were traded far and wide across the Southwest.
In our survey work we come across numerous outcroppings of clay, of various colors and textures. During our lunch and dinner conversations, we wonder if these sources were once gathered by Hopi ancestors in making their pottery. We encounter the broken sherds by the thousands, some showing experimentation of style and design, mixture and variation as these artisans developed what would become the “diagnostic” or tell-tale signature of these ceramics. As one of my fellow archaeologists stated, “these families were creating these styles, there were no rules, they could do whatever they wanted”.
Generations later, descendants of these early potters would migrate hundreds of miles south, to the deserts of central and southern Arizona and New Mexico. They would take with them their designs and techniques, lending their genes and creativity to the birth of a new culture, the Salado. There they would establish new villages, developing yet another set of ceramics, Roosevelt Red Ware. After a few generations, these groups would once again migrate, this time back north to Hopi and Zuni, completing their migrations (a topic for yet another blog).
The immediate purpose of the Class III archaeological survey we are conducting is to identify and record the “footprints” of Hopi ancestors; ceramics, lithics, architecture and any other tangible evidence found within the archaeological record. The area we are working in is located at the far northern edge of the Hopi reservation (approx 1.6 million acres). The survey section is an area approximately 2,000 acres and is leased by the Hopi Tribe to Peabody Western Coal Company, which has been strip mining coal in the Black Mesa area for well over 40 years. In fact, the presence of large coal deposits are what give Black Mesa its name.
The overall purpose of the survey is to provide data for inclusion in a future Environmental Impact Statement (EIS), required under the National Environmental Policy Act (NEPA). An EIS is meant to be a “full disclosure” public document, and will determine whether or not Peabody can continue mining operations in this section. This area is one of the last within Hopi leases, while other lease areas exist on Navajo Reservation lands, literally across the fence. Although the ultimate decision has yet to be made about future mining in this area, it is no secret that Peabody covets the coal deposits in this area, despite their recent plunge into financial bankruptcy. Thus there is subtle, yet noticeable pressure to have this survey completed and the EIS process begun.
Some may argue that it is necessary to allow Peabody to continue mining on Hopi lands, given that a large portion of the Hopi Tribe’s operating budget relies on the royalties generated from mining activities. If the mining stops, where will the money come from to keep the Tribe afloat? They may argue that it is an example of Tribal Sovereignty at work, showcasing this as a process of Self-Determination. In one sense, this is all true.
While I do not wish to delve into the economic outlook of the Hopi Tribe (at least right now), I will agree to a point that this is one example of Self-Determination & Tribal Sovereignty. Yet from my perspective, this example is an out-dated one, relying still on outside influences and decision-makers to bring about the results. Energy entities such as Salt River Project (SRP), Navajo Generating Station (NGS) and Peabody Western Coal Company all have a hand in this process and in one way or another, use their political and financial resources to influence the outcomes.
However, and let me be very clear on this issue, this survey is not about granting “clearance” to allow continued mining. In the first place, that is not what Cultural Resource Management is about. There is a mis-conception that archaeologists somehow wave a magic wand and grant the “OK” for a project to move forward. Nothing could be further from the truth. What we do as archaeologists is provide real in-field data and information to enable decision-makers in government (in this case the Hopi Tribal Council and other elected officials) to hopefully make informed decisions about proposed development. Yet as archaeologists, at the foundation of our training and intentions, we carry a philosophy of preservation and protection, which can have various manifestations and results (more on that in later postings).
As the rain, snow and hail fall around us, we walk survey transects, spaced 15 meters apart, looking for the footprints of Hopi ancestors. In addition to these prehistoric signs, we are also looking to identify the more recent and modern evidence of Hopi use. This land is a living part of Hopi culture and as such, there are places that remain actively used; shrines where offerings are deposited, gathering areas for minerals and plants, and trails that are remembered in history, song and prayer. These we record as Traditional Cultural Places (TCPs), a designation that seeks to encompass their meaning beyond the science of archaeology. Included in this documentation is ethnographic information collected by knowledgeable Hopi persons representing various clans, societies and villages. Thus our field survey combines not only archaeological data, but that of the “living culture”, providing a dual perspective that strives to be holistic and respectful of Hopi ancestors and their modern descendants.
As we continue our survey work, I hope to present not only insight into our discoveries, but I also to use this as an attempt to provide for a greater call to preserve this cultural landscape. We are all too aware of the negative side-effects of strip mining; contamination of groundwater, loss of wilderness, the erasing of Indigenous histories off the map. If mining operations are allowed to continue, not only will we lose the rich archaeological and cultural history, but also the immense bio-diversity found in this area, including pristine forests that are hundreds of years old.
Ultimately, as we prepare to head off for another 8 day field session, I view this and future blog posts as one way to educate the reader on what we stand to lose. That if anything, beyond our culture, this maybe the only “thing” we preserve in our lifetimes that we pass onto future generations. Only time will tell….